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Franz Xaver Winterhalter Portrait of Helena of Mecklemburg-Schwerin, Duchess of Orleans with her son the Count of Paris oil painting


Portrait of Helena of Mecklemburg-Schwerin, Duchess of Orleans with her son the Count of Paris
Painting ID::  76545
Franz Xaver Winterhalter
Portrait of Helena of Mecklemburg-Schwerin, Duchess of Orleans with her son the Count of Paris
1839(1839) Oil on canvas 215 ?? 140 cm (84.6 ?? 55.1 in) cjr

   
   
     

Franz Xaver Winterhalter Barbara Dmitrievna Mergassov Rimsky Korsakova oil painting


Barbara Dmitrievna Mergassov Rimsky Korsakova
Painting ID::  76582
Franz Xaver Winterhalter
Barbara Dmitrievna Mergassov Rimsky Korsakova
Date 1864 Medium Oil on canvas Dimensions ? ?? cm cyf

   
   
     

Franz Xaver Winterhalter Portrait of Prince Albert oil painting


Portrait of Prince Albert
Painting ID::  76669
Franz Xaver Winterhalter
Portrait of Prince Albert
1843(1843) Oil on canvas 274.3 ?? 162.6 cm (108 ?? 64 in) cjr

   
   
     

Franz Xaver Winterhalter Portrait of the Prince de Wagram and his daughter Malcy Louise Caroline Frederique oil painting


Portrait of the Prince de Wagram and his daughter Malcy Louise Caroline Frederique
Painting ID::  76879
Franz Xaver Winterhalter
Portrait of the Prince de Wagram and his daughter Malcy Louise Caroline Frederique
1837(1837) Oil on canvas 186 ?? 138 cm (73.2 ?? 54.3 in) cjr

   
   
     

Franz Xaver Winterhalter Young Italian Girl at the Well oil painting


Young Italian Girl at the Well
Painting ID::  77163
Franz Xaver Winterhalter
Young Italian Girl at the Well
c. 1833-1834. cyf

   
   
     

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     Franz Xaver Winterhalter
     German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.

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